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Veyra

DesignPhoto Essay

Twelve Objects from the Repair Counter

A photo essay from a small-appliance repair shop, where the story of an object is written in the parts that failed.

By Teodor Brandt and Santiago Vela in Porto · · 2 min read

A repair shop counter under a hanging lamp, a dismantled kettle laid out with its components in a row.
Photograph — Veyra visual desk

Porto

Nuno Faria has repaired small appliances on the same street in Porto for thirty-four years. Over four visits between January and April, we photographed what arrived on his counter, and asked him one question about each: what failed, and could it have not?

The answers form an unusually direct account of how manufacturing decisions land in an ordinary kitchen.

Kettle, seven years old. The heating element is fine. The thermal cutout beside it is a sealed unit, unavailable as a part, and costs more than the kettle to source secondhand.Teodor Brandt for Veyra
Vacuum, four years old. A plastic mounting lug sheared. Faria printed a replacement in nylon; the repair took forty minutes and the part cost under a euro.Teodor Brandt for Veyra

Almost nothing arrives here broken. It arrives here with one small thing broken and no way to reach it.

Nuno Faria
Blender, nine years old, second visit. The collar is a stress point by design — the jug must be twisted to lock. Faria has repaired the same failure on eleven units of this model.Teodor Brandt for Veyra
Iron, three years old. Scale, entirely preventable, and the descaling instruction is on a card most owners discard within a week of purchase.Teodor Brandt for Veyra

Faria’s diagnosis, repeated in some form for eleven of the twelve objects, was that the failure was trivial and the access was not. Sealed assemblies, adhesive instead of fasteners, and part numbers that resolve to nothing in any supplier catalog.

The salvage drawer, which is increasingly where repairs come from. Faria estimates that a third of his parts now come from other broken units.Teodor Brandt for Veyra

He is sixty-one and has no apprentice. When we asked what he would want designers to know, he did not give the answer we expected about repairability standards.

“Put the part that fails first nearest the outside,” he said. “That is all. You already know which one it is. You tested it.”

Staff Photographer

Teodor Brandt

Teodor Brandt shoots most of Veyra’s photo essays and roughly half its features. The working method is slow and repetitive: return to the same location across a season, on film, until the place stops performing. Brandt’s series on Atlantic port labor ran across four issues and remains the magazine’s most requested archive piece.

Design Editor

Santiago Vela

Santiago Vela edits Veyra’s design section and designed the magazine itself, including the cover plate system used across the archive. Vela trained as an industrial designer and worked for eight years on transit wayfinding before moving to editing, which explains a recurring editorial position: if the public has to be taught how to use something, the something is at fault.

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