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Veyra

About Veyra

A magazine that would rather be late than wrong

Veyra publishes reported features, essays, interviews, and visual journalism about culture, technology, cities, science, and the forces reshaping ordinary life. We publish roughly forty pieces a year, which is deliberately not very many.

  • Masthead

    Brooklyn

    New York

  • Europe desk

    Lisbon

    Portugal

  • East Africa desk

    Nairobi

    Kenya

  • Asia desk

    Singapore

    Singapore

What we publish

Veyra covers seven standing sections, but the section a story belongs to is usually the least interesting thing about it. What the pieces have in common is a preference for the specific over the general: one drain crew rather than a report on urban flooding, one rent ledger rather than a housing overview.

We commission for the reporting, not the topic. If a story cannot be reported — if there is nobody to talk to and nothing to look at — it is an opinion, and we publish very few of those.

How we are funded

Veyra is supported by reader subscriptions, a small number of institutional memberships, and two multi-year grants for the environment desk. We do not carry advertising, sponsored content, or affiliate links, and we do not sell reader data because we do not collect any worth selling.

Funders have no role in commissioning, editing, or scheduling. Where a grant supports a beat, that support is disclosed at the foot of every story it funds.

How we work

Every factual claim in a Veyra feature is confirmed by two independent sources or removed. Subjects are told what a story will say about them before it publishes. Corrections are made at the top of the piece, dated, and never quietly.

Our full editorial standards, including our approach to anonymity, are published in the open.

History

Ten years, four desks

  1. 2016

    Inés Marchetti and three colleagues publish the first Veyra feature — a nine-thousand-word piece about a municipal archive — from a rented desk in Brooklyn.

  2. 2018

    The East Africa desk opens in Nairobi under Adeyemi Oduya. The magazine adopts its two-source standard, still in force.

  3. 2020

    Reader subscriptions overtake grant funding as Veyra’s largest revenue source for the first time.

  4. 2023

    The cover plate system replaces stock photography across the archive, designed by Santiago Vela.

  5. 2026

    Veyra publishes from four desks with eleven people on the masthead, and has never run a sponsored story.

Who decides

The editors

Full masthead
Editorial portrait of Inés Marchetti seated near a desk lamp and newspaper stacks.
Editor

Inés Marchetti

Founded Veyra in 2016 and still edits the longest stories.

Brooklyn, New York · 0 stories

Editorial portrait of Adeyemi Oduya in a quiet editorial office.
Executive Editor

Adeyemi Oduya

Runs the East Africa desk and the magazine’s standards process.

Nairobi, Kenya · 2 stories

Editorial portrait of Juno Halvorsen beside a technical archive desk.
Senior Writer, Systems

Juno Halvorsen

Writes about the infrastructure that decides things on everyone’s behalf.

Lisbon, Portugal · 4 stories

The Dispatch

One story, chosen and explained, every Thursday.

Not a digest. One piece from the archive or the week ahead, with a note from the editor on why it was worth the reporting time.

Demonstration: no address is transmitted or stored. Read the privacy note.